PARIS – The enigmatic smile remains a mystery, but French scientists  say they have cracked a few secrets of the "Mona Lisa." French  researchers studied seven of the Louvre Museum's Leonardo da Vinci  paintings, including the "Mona Lisa," to analyze the master's use of  successive ultrathin layers of paint and glaze - a technique that gave  his works their dreamy quality.
Specialists from the Center for Research and  Restoration of the Museums of France found that da Vinci painted up to  30 layers of paint on his works to meet his standards of subtlety. Added  up, all the layers are less than 40 micrometers, or about half the  thickness of a human hair, researcher Philippe Walter said Friday.
The technique, called "sfumato," allowed da Vinci to  give outlines and contours a hazy quality and create an illusion of  depth and shadow. His use of the technique is well-known, but scientific  study on it has been limited because tests often required samples from  the paintings.
The French researchers used a noninvasive technique  called X-ray fluorescence spectroscopy to study the paint layers and  their chemical composition.
They brought their specially developed high-tech tool  into the museum when it was closed and studied the portraits' faces,  which are emblematic of sfumato. The project was developed in  collaboration with the European Synchrotron Radiation Facility in  Grenoble.
The tool is so precise that "now we can find out the  mix of pigments used by the artist for each coat of paint," Walter told  The Associated Press. "And that's very, very important for understanding  the technique."
The analysis of the various paintings also shows da  Vinci was constantly trying out new methods, Walter said. In the "Mona  Lisa," da Vinci used manganese oxide in his shadings. In others, he used  copper. Often he used glazes, but not always.
The results were published Wednesday in Angewandte  Chemie International Edition, a chemistry journal.
Tradition holds that the "Mona Lisa" is a painting of  Lisa Gherardini, wife of Florentine merchant Francesco del Giocondo,  and that da Vinci started painting it in 1503. Giorgio Vasari, a  16th-century painter and biographer of da Vinci and other artists, wrote  that the perfectionist da Vinci worked on it for four years.
Source:yahoonews 

 
No comments:
Post a Comment